"SHOULD I BE A CHAPLAIN FOR CHRISTIAN ROCK BANDS WHEN I RETIRE?" AND OTHER NON-ROCKING-CHAIR THOUGHTS.

Map hanging on our dining room wall, a gift from a missionary friend. The white circles (on North America and Russia) comprise of L X II, shorthand for Luke 10:2 - "The harvest is indeed plentiful, but the laborers are few; therefore, pray the Lord of the Harvest to send laborers into His harvest."

A good friend of mine (who's a Pastor) tells people that if they're able to retire, then retire while they're able to enjoy it.

I may not look it, and I'm sure I don't act it, but I'm getting to that age. For me, there's an additional factor - I'm a few years younger than Becky, so I not only want to retire while I can enjoy my retirement, but so she  can enjoy my retirement.

So the next question is what should I do when I retire? There are better things to do than sit around and watch TV; in fact, no TV station I know of has earned my viewing. Or I can find some fellow retirees and sit at the coffee shop and solve the world's problems (sorry, but our Government doesn't seem up to the task). And as I'm typing this, I'm listening to an ad suggesting a new career - can you picture me as a truck driver? I can't.

So, leaving the Twilight Zone, there are a few other options. Becky and I have thought about doing a short-term mission trip (up to a couple of years). Or I can get involved with a refugee ministry, something I've had off and on interest since I was in college. Maybe I can get back to writing and see about getting some books published. Far less likely, I can get revive my dormant musical/lyrical talents and start a symphonic rock band or a Southern Gospel quartet. Far less likely, and besides, there are enough good musical groups out there.

Which leads me to something Becky mentioned a couple of times - a chaplain for musicians. After all, I've liked hanging around and encouraging musicians all my life, especially those who are using their skills for the Kingdom. Am I already practicing filling that role?

Currently, I am praying for a list of musicians at least once a week. Some are Southern Gospel vocalists. Some are rockers. Some are favorites for a decade or four. Some are young enough to be my kids. (Should I be their Godfather? I could make them a deal they can't refuse. And yes, I've heard of that movie but haven't watched it).

Of course, I should finish this blog and get to bed so I can be ready for an exciting day at work tomorrow - the number of years I'll continue working may be in the single digits, but it still is years in the plural.
 

 

SAVING CASTAWAYS, BY FRANCISZEK KSAWERY LAMPI

 PART 3 OF A 16 PART SERIES ON FAVORITE ART AND ARTISTS

Saving Castaways by Franciszek Ksawery Lampi

Yes, I'll admit I'm a Romantic. It shows up in my tastes in music: my favorite classical music includes Beethoven's 7th symphony, Wagner's Flying Dutchman Overture, Bruckner's 4th symphony (Romantic), Brahms' 1st symphony, and Tchaikowsky's Romeo and Juliet Fantasy Overture. Those who are familiar with these compositions will conclude I don't listen to much wimpy music. 

After doing a part in this series fitting for Independence Day, I have shared a couple posts dealing with perceptions of the direction this country is going. But I'm going a different direction, and I'm doing so with my all time favorite painting.

This is "Saving Castaways" by Polish painter Franciszek Ksawery Lampi (1782-1852), also known as Franz Xaver Lampi (don't ask me to pronounce either version). He is known for portraits of beautiful women and stirring landscapes such as the one above. His father and older brother also were painters, known respectively as Johanne Baptist von Lampi the Elder and the Younger. How cool is it to have "Baptist" as part of your name? Unfortunately, Franz was estranged and disinherited from his father, who stayed in Russia with the younger Baptist, while Franz settled in Warsaw.

Why is this painting my favorite? Simple. The title. For a person with a heart for refugees, it should be expected for me to adore a painting of such a rescue operation. Plus, having an evangelical background, it shouldn't surprise you for me to be moved by a painting that looks meant to be accompanied by the Fanny Crosby hymn "Rescue the Perishing." 

We may be concerned for this country, but the Church has a job, and it is to rescue the castaways. We are not here to be concerned about current trends - we're here to reach the lost.

What is your impression of this painting? Do you have a heart for rescuing those in need, physically or spiritually?

ARE MY FAVORITE CHARACTERS AS INTERESTED IN REFUGEE MINISTRY AS I AM?

 

 

Remember being introduced to my 20 favorite characters last year? I thought about doing an update and if there are any changes to the line-up. I'll probably wait at least two years before tweaking this line-up. (If you want a reminder who they are, you can put your cursor over the photo and it will remind you.)

One ministry that fascinated me since I first learned of it was ministry to refugees. By the way, I read just yesterday the difference between a refugee and a displaced person - the latter has to move but still remains in his home country, while the refugee relocates to a new country. 

Well, one of the most reminders of this interest was skimming through a bio about an author and finding out that one character was actually a refugee. 

So I looked at my collection of characters, asking myself if the characters I like reflect my interest in refugees. How many of these characters either aided/worked with a refugee, married a refugee, or was either temporarily or permanently a refugee?

Would you believe six? That's 30%. Considering that refugees were not a major theme in most stories I read, I'd consider that a notable number.

Let me list those six, starting with the back-row and going left to right.

1. Brennen Caldwell (second from left, back row), from the Firebird novels by Kathy Tyers. His wife, Lady Firebird, willingly became a refugee from her home world Netaia. On that planet, rulers were allowed two heirs, and following children were called wastelings, who were obligated to die and were assigned to suicide missions for that purpose. Lady Firebird was the third-born. Having failed on her suicide mission, she became a refugee.
2. Fightmaster Loretus (sixth from left, back row), from Tales of the Infinite by R.J. Larson. Kien Lantec, normally a diplomat, was exiled from his homeland, and Loretus was assigned to help him in his fighting skills. 
3. Crusader (first from right, back row), from Numb by John Otte. Crusader was a hit-man who became expendable and by the end of the story he relocated to another planet.
4. Arvandus the griffin (first from left, front row), from The Firebrand Chronicles by J.M. Hackman and
5. Dorann the tracker (fourth from left, front row), from Tales of Faeraven by Janalyn Voigt had similar experiences. Their home countries were captured by the bad guys and found themselves as refugees in other territories until the good guys reclaimed their territory.
6. ...No, I'll wait to reveal the final one.

I will add that other characters, while currently not involved in refugee work, would be quick to help. Suppose someone came to the dinner where my twenty favorite characters were and told them a batch of refugees were arriving and were in need. Father Antony (back row, fifth from left, from Donna Fletcher Crow's Monastery Murders) would immediately be heading out the door to aid them. Felix McClintock the Zealot and Arianna Sloan (front row, seventh and eighth from left, respectively from The Merely Mortal by J.P. Leck and the Teen Mission series by Jill Williamson) would be right behind him. Vythian Blix (back row, fourth from left from Paul Regnier's Space Drifters trilogy), after learning what they were doing, would desire to join them, but was discouraged from going because they didn't want Blix to scare the refugees (Arvandus probably was the most effective in discouraging Blix). Meanwhile, Drew Farthering (front row, second from left, from the Drew Farthering Mysteries by Julianna Deering), Duke of Marshington Ryland Montgomery (back row, fourth from right, from An Honorable Masquerade by Kristi Ann Hunter) and Agatha Christie's world famous detective Hercule Poirot (front row, sixth from left) would be making sure that any funding needs were fully covered. 

By the way, here's a fact you might not know. Post WWI England had refugees from other countries, including Belgium. Ah, the light comes on. Yes, Agatha Christie was aware of those refugees. Yes, when she created a detective for her first novel, that detective was a Belgian refugee. 

So maybe Hercule might be encouraging me to consider working with refugees, with assistance from the others. (And if Loretus gets involved, I'll make haste.)

 

THANKS TO MY BETA READERS, AND WHAT'S NEXT WITH MY WRITING?

 

I'd like to start today's blog by thanking my Beta Readers: Mary Allen, Kacy Barnett-Gramckow, Heidi Glick, Twyla Jackson, and Joanne Sher. They have read my novel that I've been working on since '07, and provided excellent feedback.

Did I mention that I started writing "An Apologetic For Murder" since 2007? It has been an adventure. 

It started no later than 1995, actually, when I had a concept of a group of six friends working together to solve a murder. I called them the Menagerie: each one had an animal nickname. 

In 2007, I was wanting to write a book promoting apologetics. Of course, as a lay-person with no name recognition, would anybody consider reading a book by little old me? And then, I remembered some friends who were in apologetics/anti-cult ministry mention that they got death threats. 

So the Menagerie found a home - they attended an apologetics conference to find out who was trying to kill an apologist. I also thought of having an innocent bystander - if a hit-man could be called an innocent bystander - intercept a bullet meant for one of the apologists. 

Immediately, there were a lot of characters to develop. There was the six in the Menagerie. Then, there were the apologists, of which there were five (patterned after the book Five Views On Apologetics? Not intentionally but it did have an influence). Add to that seven suspects. Which one did it?

No, I'm not answering the above question, though my Beta Readers know. However, I was half way through writing the novel until it hit me who hired the hit-man and whose bullet said hit-man intervened. 

The novel was finished in 2008. The next year, after looking into some venues for publishing, a self-publishing company agreed to publish it. The following year, that company went belly-up in a way that it ended up on the front page of the local paper and was covered by all the local newsstations on TV. 

Around that time, I read The Complete Idiot's Guide to Writing Christian Fiction by Ron Benrey.  I had previously read other literature on writing, includint two books on writing Christian fiction. Benrey was the first one to advise getting an agent, and also encouraged going to writing conferences and joining the ACFW (American Christian Fiction Writers).

So I took his advice and joined, became part of a couple critique groups, and started on my first re-write of the novel. Originally, it had six "main characters." In writing the novel, though, those six characters fell into roles. Two got a lot of "screen time", two were important more for their roles (e.g. the policeman of the group), and two (who happened to be the married couple of the group) were basically supporting characters. So I set to work focusing on the two main characters.

Shortly after, I did a third rewrite, more major than the second. I figured out who the actual sleuth of the group was. So I did something I never thought I'd do, and rewrote the story as a first person narrative. 

Around 2014, the fire faded. During that time I made some half hearted starts, and in 2019 I got serious to rework the novel and seek publication. That's also when I lined up the beta readers.

I did have two concerns with my novel, both of which affected marketability and both were confirmed by the comments of the beta readers. The first was if there were too many characters. The consensus was that the story called for a lot of characters, but yes, I did have a lot of them. The second was if it was too deep theologically for the average fiction reader (and relatedly, not enough action to maintain interest). This concern was legitimate.

Soooo... where do I go from here?  Basically I have two options.

One is to give up on this story. I have two other story ideas (different genres from each other and from my above novel). I also have other talents that are laying dormant such as songwriting, ceramics, and drawing. Add to that an interest in refugee ministry.

The other is to do a third rewrite, and this one will be more major than the other two. The previous ones maintained the same characters, the same plot, the same victim, the same killer. If I rewrite, I will be trimming the characters which will then alter the plot. After all, the seven suspects had motives to kill one of the five apologists, but they weren't after the same apologist. I might get rid of an apologist while wanting to keep the person who wanted to kill him.

If I do start from scratch as I'm proposing, or if I decide to write a new novel, I'll be working with a couple of books. The first is The Chunky Method by Allie Pleiter, to help me in following the two rules of writing illustrated above. The second is Soul Types, which looks at the impact of the Myers-Briggs Types on spirituality.

Should you feel led to pray as I think this over, it would be appreciated.