This book starts off looking at the major philosophical views, which she terms as lower story and upper story. Lower story, or Aristotlean, focuses on the physical, what we can sense, what we can explain rationally and logically. Upper story, or Platonic, is more focused on values, aesthetics, beauty, etc. The second section deals with evolution, pointing out that its popularity is because it's a plausible naturalistic creation theory. Part three of the book focuses on the role of truth with evangelicalism.
I do have some disagreements For example, she has the view that the various forms of creationism (i.e. both old earth and young earth theorists) ought to stop debating each other and turn our fight to the common enemy of evolution. While I see the rationale for her opinion, I also see why young earth creationists hold that view strongly. And while I'm sometimes hesitant to call myself evangelical, I am more in that camp than she is. Neverthe less, this is a book designed to make you think.
And if you want more, there's her follow-up "Saving Leonardo," where her focus is a history on the arts, looking at what she terms "two paths to secularism," which are the lower story (here called determinism) and lower story (or the continental tradition) theory from "Total Truth." She does a great job at looking at the two views. One thing is she showed several paintings which were large colored geometric shapes. There were artists from both angles that painted that way, but the determinist had solid dividing lines, while the edges of the continental was more fuzzy. By the way, there was also a picture in that book painted by my friend Grace Carol Bomer (Becky and I got to visit Grace's studio in Ashville about 25 years ago).
