ADVENT THOUGHTS, CHRISTMAS SONG DEVOTIONALS, AND A RELATED HIGHLIGHT OF MY LIFE.

 

Felix Mendelssohn and Charles Wesley, co-writers of "Hark, the Herald Angels Sing."

 Merry Christmas! 

In my previous blog, I mentioned the devotional "The Christmas We Didn't Expect" by David Mathis. I'd like to share thoughts that were either inspired by that book, confirmed previous thoughts, or made me think of something else.

1. Between the above mentioned book and an episode of CBN's cartoon Superbook I saw Saturday (Dec. 20), I was hit that the first Christmas was just an ordinary day. An ordinary man and an ordinary woman (both godly but still ordinary) came to town and had to find room in the stable to have what probably appeared to be a normal baby. To me, there is no Biblcal evidence nor a necessity of the Salvation story for the teachings of Mary's perpetual virginity or her immaculate (sinless) conception, nor is there any reason to think that God expcted Mary and Joseph to live different than any other married couple. The focus of the Bible is that in a world where man wants to be a god, God the Son (Jesus) became fully man without ceasing to be fully God in the process.
2. Back to Mathis' devotional. Chapter 9 was titled "Hark, the Long Lost Verses Sing." It happens to be my favorite with words by Charles Wesley (my favorite hymn lyrist) set to the music of Felix  Mendelssohn (my favorite classical composer). Most hymnals only have three of the original five verses; there's one we have which contains a fourth - technically, the first half of the fourth and fifth verses. I learned in this devotional that another of my church history heroes George Whitfield had influence on this song as well, revising the first couplet from Wesley's original to what we sing today, and making it a four verse hymn. 
3. Chapter 10 also has musical allusions, titled "We Three Kings From Orient Aren't." His focus is that this trio (actually, many say three is not the number of the Magi but rather the number of the gifts) weren't kings or political leaders, but pagan sorcerors who normally wouldn't be looking for a Jewish Savior.
4. I'm probably the only person reading Mathis' 11th devotional who would think of a connection to a third song. His focus was on the priests who knew where the Messiah was to be born but no interest in joining the Magi to see him. The song which was probably heard by less than 100 people was part of a musical called Viewpoints, where I asked several of my musician friends to write songs giving viewpoints of people in the Christmas story. One I had in mind were the above mentioned priests, and I wrote the lyrics and the music for the chorus - titled "Do I Really Care?" - while my friend Tod Moses wrote music for the verses. That experience in '93 was one of my highpoints. One of the participants - Barry Kay - included one of the two songs he wrote for that project on what I believe was his first album. If I made a list of my fovorite songs that I wrote, "Do I Really Care?" would be one of the top three. 

Hope this was a blessing, and I'm wishing you a Merry Christmas, or if you guys prefer, a Joseph Christmas.

SUNDAY PSALMS PART 26 OF 48 - PSALM 116

Cool Creek Park, Westfield, Indiana

 

1    I love the LORD, because He has heard
     My voice and my supplications.
2   Because He has inclined His ear to me,
     Therefore I will call upon Him as long as I live.
3   The pains of death surrounded me,
     And the pangs of Sheol laid hold of me;
     I found trouble and sorrow.
4   Then I called upon the name of the LORD:
     "O Lord, I implore You, deliver my soul!"

5   Gracious is the LORD, and righteous;
     Yes, our God is merciful.
6   The LORD preserves the simple;
     I was brought low, and He saved me.
7   Return to your rest, O my soul,
     For the LORD has dealt bountifully with you.

8   For You have delivered my soul from death,
     My eyes from tears,
     And my feet from falling.
9   I will walk before the LORD
     In the land of the living.
10 I believed, therefore I spoke,
    "I am greatly afflicted."
11  I said in my haste,
    "All men are liars."

12 What shall I render to the LORD
     For all His benefits toward me?
13  I will take up the cup of salvation,
     And call upon the name of the LORD.
14  I will pay my vows to the LORD
     Now in the presence of all His people.
15  Precious in the sight of the LORD
     Is the death of His saints.

16  O LORD, truly I am Your servant;
     I am Your servant, the son of Your maidservant;
     You have loosed my bonds.
17  I will offer to You the sacrifice of thanksgiving,
     And will call upon the name of the LORD.
18  I will pay my vows to the LORD
     Now in the presence of all His people,
19  In the courts of the LORD's house,
     In the midst of you, O Jerusalem. 

     Praise the Lord!
                        Psalm 116:1-19, New King James Version

 

Two of my favorite singers, both of whom I know personally, have written and recorded songs based on this Psalm (Barry Kay, "I Love The Lord," from his "Beyond The Song" project, and Amy Shreve, "Psalm 116," which leads off her "Whisper" CD and is also on her compilation "The God of All Hope.")

This is an uplifting Psalm, but verse 15 is the one that stands out: "Precious in the sight of Yahweh is the death of His saints." I especially think of this verse in connection with ministries to the Persecuted Church like Voice of the Martyrs, Spirit of Martyrdom, and Vision Beyond Borders.

One thing I noticed is the repetition of the phrase "call on the LORD" or more frequently "call on the Name of the LORD." I read an excellent book on the Biblical Theology of Prayer titled Calling On The Name of the Lord by J. Gary Millar. He focuses on how men started calling on the name of the Lord after the birth of Adam's grandson Enosh (Gen. 4:26), and defines how this is throughout Scripture asking God to do what He promised.