BOOK REVIEW AND CRITIQUE - "THE THIRD CONVERSION" (A NOVELETTE) BY R. SCOTT RODIN

 

Were Fundraiser Walter  Rodgers' apprehensions about the new employee he was training relevant? Was the completely different approach Rodgers and the ministry Hands Of Love International promoted something Carl Burns could comprehend, let alone accept?

R. Scott Rodin poured out his heart and convictions in the  novella "The Third Conversion. He clearly had the aim to win the reader over to his conclusions, and he made a good case. Rodin wrote two other novelettes "The Million-Dollar Dime" and "The Seventh Key." He also has written and co-written non-fiction books dealing with the same subject.

The scenario is a worker nearing retirement is training a young man in the fund-rasing part of a Christian ministry, and is more concerned with the development of the lives of the donors to the ministry than on getting sizeable contributions.

This is a thought provoking book. It does have some preachy parts in this book: this novelette is clearly written for a Christian audience. The title "The Three Conversions" is from a quote by Martin Luther: "There are three conversions necessary for every man: the head, the heart, and the purse."

I recommend this book for those looking into fundraising and an overall one-kingdom theology (as opposed to a two kingdom view where an individual has one set of standards for Sunday and another for the rest of the week).

Allow me to also offer up a critique. When reviewing fiction, I usually award the author a five star review, because they have put in a lot of work developing characters, plot, and maybe going a little deeper. However, I struggled reading this book, and partly because there are certain practices usually done that Rodin didn't do. None of this takes away from his theme in this book, but it could be difficult for readers.

The first thing is point of view. I've learned through my studying in writing that the preferred approach is to have a single point of view character. It could be a first person or third person narration, but in the latter, the author would keep everything from the perspective of a character until either the end of a chapter or a line dividing up the chapter. Sometimes, we would see the perspective change from Walt's to Carl's without a dividing line.

A second thing are tagline when people are speaking. You may see tags like "said," "thought," "declared," "questioned," etc. Rodin used these and others. In writing classes, however, I've seen two basic views: 

1. The only acceptable tags are "said" or "asked." Anything else is an unnecessary elaboration.
2. The only acceptable tag is "said." If the sentence ends with a question mark, "asked" is redundant. 

With such a limited choice, writers often use non-verbal tags to help identify the speaker. So you have characters drinking coffee, rolling eyes, scratching their heads, and things like that to make things more interesting. 

One problem I see in Rodin's writing -  a common problem among authors - is telling instead of showing. For example, once Carl says something that suprised himself. What does that look like?

Again, none of these complaints take away from the value of the book. I highly recommend it.