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Author Donna Fletcher Crow, with her latest book series
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Since starting this blog, I may have had interviews with an author in one installment and review their book in another. But up to this point, I've never had a return interviewee, until now. Which not surprisingly is the same person I interviewed for this blog. Also, the first novelist I interviewed when I was blogging for Hoosier Ink, the blog of the Indiana Chapter of the American Christian Fiction Writers. So I'm pleased to welcome Donna Fletcher Crow back to my blog.
JR:
Let me start off with something that caught me by surprise. Do you
know you have an entry on Wikipedia? I've tried to find some of my
other favorite authors, and they didn't make it (though,
unsurprisingly, Kerry Nietz did). Besides that major accomplishment,
what other claims to fame do you have, such as writing awards or
organization memberships, etc.?
DC:
Oh, Jeff, my real claim to fame is my grandchildren—15 of them—and
all stellar. But in the writing world, my first award, being named
“Writer of the Year” at the Mount Hermon Writers’ conference in
1983, was such a thrill. I suppose my biggest awards have been having
Glastonbury
and The
Fields of Bannockburn
each named “Best Historical Fiction” for the years they were
published. And then, if you’re looking for surprises, not many
people know that I was Miss Rodeo Idaho in 1960. Yes, I know—before
most of you were born.
JR:
Before I get into reality, let me take a trip into the fiction zone,
where fictitious characters spend their lives when not being written
about. This particular day, Lord and Lady Danvers happen to have a
table at the banquet with Elizabeth and Richard and Father Antony and
Felicity. What do you think they'll be talking about? Literature?
Theology? Classical music? History? And do you think your ears would
be burning?
DC:
Ah, well, since my current project is writing a collection of short
stories using these characters in mysterious adventures on the
Riviera and in Switzerland, I expect they’ll be sharing notes on
their favorite places and how things have changed since Victorian
times. Elizabeth and Richard, of course, will be most interested in
the literature and Father Antony is sure to bring things around to
theology. I do wish I could sit in on the conversation—that would
make writing the up-coming stories much easier. If readers are
interested in seeing the background to all this, I’m doing a blog
series
on my research trip now.
JR:
I believe your latest endeavor is the Celtic Cross Series. Could you
tell us about this look into the history of Scotland and Ireland?
DC:
The Celtic Cross Series is something I’ve wanted to do for a long
time, so I’m thrilled that it is becoming a reality. My Scottish
and Irish epics The
Fields of Bannockburn
and The
Banks of the Boyne
have been out of print for nearly a quarter of a century, so it was
past time to do something about it. Since each of those 800+ page
tomes is divided into historical sections, (and since Amazon won’t
print books that big) it made sense to give each story its own book.
I’m loving the process of completely rewriting these stories with a
new editor and I’m thrilled with the covers Ken Raney is painting
for them.
JR:
Many of your stories have your modern characters learn lessons from
the past. With your study of British History, is there any common
threads or helpful applications from the past on the other side of
the Pond to our COVID affected, politically divided country?
DC:
History always
speaks
to today. I never feel I’m writing about history—I’m writing
about today because the basics never change—just the technology.
The most important thing that writing Glastonbury
taught me was that, no matter how dark things look today, they have
always been darker in the past. And humanity has always
survived—triumphed, even. The Light always overcomes the Dark.
JR:
This may seem like another way of asking the previous question, and
pardon me if it does, but what struggles did Britain in the past have
with religious liberty? Is that right more secure now, more
vulnerable, or about the same in the 21st century than it was here?
DC:
Always and everywhere religious liberty has been and is under threat.
I’m not sure whether the greatest threat, though, is having
political leaders oppose religious faith or try to suppress it. Real
faith has always grown when it’s under threat. The important thing
is not to look at the depressing statistics about how church
attendance is slipping here and in Britain, but to look at all the
good things that are happening—and try to be part of that. People
often ask me about failing faith in England (and I know there are
struggles), but I visit so many thriving churches in the UK, belong
to so many super Christian organizations there, and have such
wonderful Christian friends all over Britain—including many
faithful pastors and priests—that I know there is definitely a
strong beacon of light still shining.
JR:
Besides the Celtic Cross series, what looms on the agenda with your
writing?
DC:
As I mentioned above, I am working on a short story collection. When
that’s done, I hope to get to a stand-along mystery I have wanted
to write for many years using as background the great revival that
swept the Hebrides right after World War II. I did the research clear
back in 2000, so I think it’s had sufficient time to germinate.
JR:
Thank you for your time. For those who haven't taken the opportunity
from my previous interviews with you (I believe this is at least the
fifth... and interestingly the first that isn't following the release
of the latest Monastery Murder), how can we keep in touch with you?
DC:
Thank you, Jeff. I always love your interviews because you ask the
most surprising, searching questions. I would love to have your
readers follow me—and there are lots of options: Subscribe
to my newsletter
(and receive a free Lord Danvers book), follow
my blog,
follow
me on facebook,
or
follow me on Amazon.
And you don’t have to choose—it’s all free.